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Feminist Imagining in Polish and Ukrainian Theatres

Feminist Imagining in Polish and Ukrainian Theatres

Feminist Imagining in Polish and Ukrainian Theatres

Ewa Bal , Jagiellonian University
Kasia Lech , University of Amsterdam
August 2025
Not yet published - available from August 2025
Adobe eBook Reader
9781009549547

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    This Element explores how women theatre artists in Ukraine and Poland – separately and together – respond to their dynamically shifting socio-political realities after the early 2010s events: the pro-European Maidan Revolution in Ukraine and the traditionalist, anti-European governance in Poland, both of which ignited mass women's protests. Engaging with diverse works – new writing, adaptations of classics, musicals, puppetry, and devised productions – Feminist Imagining features artists that explore the connections between patriarchy-rooted violence, gendered nationalism, women's reproductive rights, and decolonial critique. These underpin their transcultural and intersectional alliances and their proposals for concrete scenarios that redefine the past, present, and future, creating specific feminist imaginaries and epistemologies situated in Central-Eastern Europe. The Element captures the feminist turns in Polish and Ukrainian theatres, highlighting the practices of women artists from the so-called Eastern Europe, whose voices have long been nationally and internationally silenced.

    Product details

    August 2025
    Adobe eBook Reader
    9781009549547
    0 pages
    Not yet published - available from August 2025

    Table of Contents

    • 1. Introduction
    • 2. Herstories of Poland's 1989 transformation
    • 3. Women in war taking the agency back
    • 4. Feminist practices of care and political agencies of children
    • 5. Alliances and realistic cross-border utopias
    • 6. Final reflections
    • References.
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    Transcript document
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    Supplementary Material
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    Supplementary Material
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    Supplementary Material
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      Authors
    • Ewa Bal , Jagiellonian University
    • Kasia Lech , University of Amsterdam